Paul Ranson’s use of anthropomorphic branches, stems and Asian nuances in “Apple Tree with Red Fruit” is mostly symbolic, emphasizing exotic, or semi-religious motifs rather than subjects derived from nature. Ranson (1864 – 1909) was a leader of the Nabis, a group of post-Impressionist, avant-garde Parisian artists who fused nature with personal metaphors and symbols as forerunner of abstract and non-representational art. He created tapestries, stained glass, lithographs and ceramics using a linear, flowing style influenced by Art Nouveau designs and Japanese prints.