An English painter, poet and printmaker, William Blake was one of the most expressive and original artists of the Romantic era. Largely unrecognized during his lifetime, Blake (1757-1827) worked in the teeming city of London during a time of great social and political change and influenced many with the philosophical undercurrents of his work. He considered the Bible the greatest poetry ever written and filled his paintings with religious visions. Blake married Catherine Boucher in 1782, later teaching her to read and write.
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Combined Title Page from 'Songs of Innocence and of Experience' Plate 2 of Bentley Copy L
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Plate 76 from 'Jerusalem' 1804-20 (Relief Etching Printed in Orange with Pen and W/C on Paper)
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Christ Appearing to the Apostles after the Resurrection 1795-1805
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Then the Divine Hand' Plate 35 from 'Jerusalem' (Bentley Copy E) 1804-20
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A Naked Man in Flames Plate 26 from 'Jerusalem' 1804-20
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Appear to the Americans' Plate 6 from 'America: a Prophecy' 1793
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Infant Joy' Plate 23 from 'Songs of Innocence and of Experience [Bentley 25] C1789-94
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And the Clouds and Fires' Plate 14 from 'Europe a Prophecy' 1794
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London' Plate 38 from 'songs of Experience' 1794 (Colour Printed Etching with W/C)
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The Fly ' Plate 47 from 'songs of Experience ' 1794
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Preludium Plate 2A from 'The First Book of Urizen' 1794
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Enitharmon Slept' Plate 10 from 'Europe: a Prophecy' 1794
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Songs of Experience' Plate 31 1794 (Colour Printed Relief Etching)
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In Living Creations Appear'D' Plate 6 from 'The First Book of Urizen' 1794
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Mary Magdalene at the Sepulchre C1805 (W/C and Pen and Black Ink on Paper)
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A White Haired Man in a Long Pale Robe Who Flees from Us with His Hands Raised
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A Naked Man with a Long Beard Kneeling with One Knee Raised and Both Hands on the Ground
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A Little Boy Lost' Plate 42 from 'songs of Experience' 1794
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The Human Abstract' Plate 45 from 'songs of Experience 1794 (Colour Printed Relief Etching)
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Visions' Plate 4 from 'Visions of the Daughters of Albion' 1793
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And None But Bromian Can Hear' Plate 6 from 'Visions of the Daughters of Albion' 1793
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Ages on Ages Roll'D over Him' Plate 9 from 'The First Book of Urizen' 1794
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The Voice of the Ancient Bard' Plate 31 from 'songs of Innocence' 1789 (Relief Etching with W/C)
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A Poison Tree' Plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L)
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The Chimney Sweeper' Plate 41 (Bentley 37) from 'Songs of Innocence and of Experience'
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The Widow Embracing Her Husband's Grave (Pen and Brush and Black Ink and W/C on Paper)
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The Shepherd' Plate 15 from 'songs of Innocence' 1789 (Relief Etching with W/C on Paper)
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Her Voice Pierc'D Albions Clay Cold Ear' Plate 95 from 'Jerusalem' C1810
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