By M. C. Escher
Item #: 10002086A
17" x 12.5" without border
Ships within 24 hours
High-quality printing gives this fine art print its vivid and sharp appearance. Produced on medium weight cover stock, this art reproduction is coated with a silken finish that protects the inks and creates an elegant look. The versatile art print strikes a balance between quality and affordability.
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Ship time indicates the typical time it takes for your item(s) to leave our facilities. This includes any framing or customizing services ordered as well as careful packaging to prevent damage in transit.
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Reviewed by 1 customer
Displaying review 1
- Perfect Size
- Visually Appealing
- Vivid Detail
I bought 4 of these prints and trimmed them and had them laminated into placemats! AWESOME IDEA!
- 50 – 54
- Display Location:
- Dining Room
Photos To ART
Decorate with photos you love. With Photos to Art, you can transform your favorite snapshots into one-of-a-kind works of art that you’ll be proud to hang on your wall. Choose from artistic canvas, custom framing, wood mounting and more to update your décor with art that is totally you.
- The Print
- The Artist
There’s more than meets the eye in this work by M.C. Escher, a literal illustration of his aptitude for optical trickery. Disliking flat surfaces, Escher (1898 – 1972) implemented extraordinary three-dimensional effects to construct impossible buildings, difficult perspectives and illusions of infinity. With an aptitude that was visual and intuitive, Escher, who lacked formal mathematical training, created intricate lithographs, woodcuttings and mezzotints incorporating advanced mathematical concepts.
Possessing the soul of an artist and the ingenious mind of an mathematician, world famous graphic artist M.C. Escher’s art was lauded and studied by scientists, mathematicians and crystallographers. Escher (1898-1972), a Dutchman, was himself a contradiction, disliking flat shapes as much as he disliked mathematics, yet his intrinsic knowledge inspired him to create visual ironies that defied concepts of infinity. Working with lithography, woodcutting and mezzotints, he manipulated space and geometric patterns, created implausible multi-dimension images of mathematical perfection.
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