Item #: 10283340A
26.5" x 14.5" without border
Ships within 24 hours
High-quality printing gives this fine art print its vivid and sharp appearance. Produced on medium weight cover stock, this art reproduction is coated with a silken finish that protects the inks and creates an elegant look. The versatile art print strikes a balance between quality and affordability.
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Reviewed by 1 customer
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- Great Quality Paper
- Perfect Size
- Visually Appealing
- Accent Piece
Has colours that contrast with a light coloured wall. Subject matter such that it does not overpower room but is not irrelevant either.
- 60 – 64
- Display Location:
- Living Room
Photos To ART
Decorate with photos you love. With Photos to Art, you can transform your favorite snapshots into one-of-a-kind works of art that you’ll be proud to hang on your wall. Choose from artistic canvas, custom framing, wood mounting and more to update your décor with art that is totally you.
- The Print
- The Artist
Isolation and loneliness, even when one is not alone, are starkly communicated in the glaring light and eerily noirish shadows, blank faces and downtrodden postures of Edward Hopper’s “Nighthawks.” Inspired by a restaurant in New York’s Greenwich Village, Hopper’s unflinching style depicts the sad beings in the diner as together, yet solitary and seperated as well from the viewer by the glass window of the diner. Hopper (1882 – 1967) was an American painter known for his melancholy, realistic depictions of alienation in everyday life which had tremendous impact on pop art, and the representational revival.
Edward Hopper (1882 – 1967) was an American painter known for his melancholy depictions of alienation in everyday life. Eerily realistic, his stark urban and rural scenes are a desolate montage of deserted streets, half-empty theaters, isolated railroad tracks and dreary rooming houses. Originally aspiring to be a Naval architect, Hopper rapidly rose to the status of America’s foremost Realist. Portraying scenes in New York and New England, Hopper underscored their grim nature with sharp lines, large, impersonal shapes, flat expanses of color and hard angles. Although known for his oil paintings, Hopper was also an adept watercolorist and printmaker whose later works shared structural similarities with geometric abstraction.
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