Reproduction of a Poster Advertising the "Taverne Olympia," Paris, 1899
By Jules Chéret
Item #: 12059598A
Size and print type
14" x 20" without border
Ships in 1-2 days
Reproduction of a poster advertising the 'Taverne Olympia', Paris, 1899 (colour litho), Cheret, Jules (1836-1932) / Private Collection / The Stapleton Collection / The Bridgeman Art Library
This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
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- The Print
- The Artist
Jules Chéret’s “Reproduction of a Poster Advertising the ‘Taverne Olympia,’ Paris, 1899” was the pot of gold at the end of a rainbow of color. Chéret (1836 – 1932) created posters known for their incomparable use of color and harmony. Chéret revolutionized printing—and advertising—with the invention of color lithography, which entailed separately inking and printing each shade to dazzling effect. Studying the works of Rubens and other outstanding artists, Chéret was inspired to use color in a unique and fantastic manner. An inferno of color, fantasy and fun, Chéret’s work elevated lithography to an art form and earned him world acclaim as “The Master of the Poster.”
French artist Jules Chéret (1836 – 1932) orchestrated color with a maestro’s touch. Inspired by the works of Rubens and other acclaimed artists, Chéret created posters that featured an inferno of incomparably dazzling colors. He revolutionized printing and advertising with the invention of color lithography, in which each hue was separately and spectacularly inked and printed. Chéret’s enormous, innovative and fantastic posters were produced for a vast myriad of outlets, including cabarets, theaters, novels, beverages and cosmetics. Chéret’s work, which struck an incomparable balance between the fantasy and reality of colors, elevated lithography to an art form, and earned him worldwide acclaim as “The Master of the Poster.”
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