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Farewell India Premium Photographic Print by Trey Ratcliff at Art.com
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
Digitally printed on high gloss Premium Photographic Paper resulting in a unique silver pearlescent finish with stunning visual impact and depth that is suitable for museum or gallery display.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
"I really wanted a unique viewing angle, so I talked my driver into taking me to the back side of the Taj Mahal. The bridge was just barely standing, and everything about the dilapidated structure was sketchy. When shooting a reflection, it's sometimes best to get as close to water level as possible. So, reluctantly, I took my camera off my tripod and buried it in the mud, about half an inch above the water. I spent all night in the bathroom saying I was sorry to the camera... cleaning her up back into her old self once again."
This fine art Giclee on canvas print has been museum-wrapped around 1.5” wood stretcher bars, and finished with handpainted black edges.
True
12184579612A
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