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Vanity Fair - April 1931 Photographic Print

Vanity Fair - April 1931

Photographic Print
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Item #: 12500672524A
 
Size and print type
Photographic Print
9" x 12" - Ships in 1-2 daysPhotographic Print$95.00Price@$95.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',true)9" x 12"  Photographic Print 1True86090618596317PODSizeID=4985579@PODSubstrateID=4985630@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.		False8" x 10" without border12500672524A
12" x 16" - Ships in 1-2 daysPhotographic Print$119.00119Price@$119.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',true)12" x 16"  Photographic Print 1True86090618377592PODSizeID=4985584@PODSubstrateID=4985630@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.		False10.5" x 13" without border12500672524A
16" x 22" - Ships in 1-2 daysPhotographic Print$189.00189Price@$189.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',true)16" x 22"  Photographic Print 1True86090618596318PODSizeID=8377610@PODSubstrateID=4985630@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.		False14.5" x 18" without border12500672524A
30" x 40" - Ships in 1-2 daysPhotographic Print$499.00499Price@$499.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',true)30" x 40"  Photographic Print 1True86090618377595PODSizeID=4985609@PODSubstrateID=4985630@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.		False26.5" x 33" without border12500672524A
Premium Photographic Print
9" x 12" - Ships in 1-2 daysPremium Photographic Print$125.00125Price@$125.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',false)9" x 12"  Premium Photographic Print 1True86090618419446PODSizeID=4985579@PODSubstrateID=4985629@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.

The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.

The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)		False8" x 10" without border12500672524A
12" x 16" - Ships in 1-2 daysPremium Photographic Print$149.00149Price@$149.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',false)12" x 16"  Premium Photographic Print 1True86090618429476PODSizeID=4985584@PODSubstrateID=4985629@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.

The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.

The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)		False10.5" x 13" without border12500672524A
16" x 22" - Ships in 1-2 daysPremium Photographic Print$249.00249Price@$249.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',false)16" x 22"  Premium Photographic Print 1True86090618377612PODSizeID=8377610@PODSubstrateID=4985629@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.

The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.

The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)		False14.5" x 18" without border12500672524A
30" x 40" - Ships in 1-2 daysPremium Photographic Print$649.00649Price@$649.00Ships in 1-2 dayshttp://imgc.artprintimages.com/images/art-print/cecil-beaton-vanity-fair-april-1931_i-G-61-6118-CGVF100Z.jpg@352_488@javascript:popHighzoomImage(658,911,12500672524,'-61-6118-CGVF100Z', 'Cecil Beaton',false)30" x 40"  Premium Photographic Print 1True86090618707441PODSizeID=4985609@PODSubstrateID=4985629@PODTechnologyID=4985628Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.

The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.

The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)		False26.5" x 33" without border12500672524A
8" x 10" without border
Ships in 1-2 days
Published April 1, 1931

Tallulah Bankhead became a household name in 1924 when she played the waitress Amy in Sydney Howard's play They Knew What They Wanted, in London which went on to win the Pulitzer Prize. Many thought that Bankhead represented the ideal of the 1920s woman—beautiful, independent, and outrageous. Though Bankhead went on to a successful film career, she continued to appear onstage as well, garnering praise for her roles in The Little Foxes and The Skin of Our Teeth, among dozens of other productions. This photograph, by noted portrait photographer Cecil Beaton, is an outtake from an April 1931 feature in Vanity Fair magazine.

Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
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$95.00
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