La Belle Dame Sans Merci
Premium Giclee Print
Item #: 602345621A
Size and print type
11" x 8" without border
Order now for delivery by Dec 7 (with Standard shipping) *Continental US Only
This premium giclée print, an upgrade from the standard giclée print, is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto a high-quality paper. The smooth transitions of color gradients make giclée prints appear much more realistic than other prints.
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30-DAY RETURN POLICY
satisfied with your purchase, you can
receive a replacement or refund within
30 days Learn More
Items that ship same day normally leave our facilities on the same business day if your order is placed before 5:00pm EST.
Orders that contain multiple items with different ship times will be shipped out based on the item with the longest ship time.
Photos To ART
Decorate with photos you love. With Photos to Art, you can transform your favorite snapshots into one-of-a-kind works of art that you’ll be proud to hang on your wall. Choose from artistic canvas, custom framing, wood mounting and more to update your décor with art that is totally you.
Each piece of custom framed art is handcrafted and hand-signed by a professional artisan. Our assortment of high quality frames includes classic styles and the latest design trends, allowing you to fully personalize your art. Choosing a frame is fun, easy and affordable, and your satisfaction is 100% guaranteed.
- The Print
- The Artist
The romantic appeal of Sir Francis Dicksee’s medieval style, made up of literary, allegorical, and biblical subjects dressed in lavish costumes of exquisite color earned him great success and popularity. Born into an artistic family in 1853, his father Thomas Dicksee was also a painter and an etcher. Although he was not a member of the Pre-Raphaelite Brotherhood, he is recognized as one of the movement’s most profound influences. He first exhibited at the Royal Academy in 1876, rising in his association to become the Academy’s President in 1924.
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