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The Supper at Emmaus, 1648 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Louvre, Paris, France / Giraudon / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Supper at Emmaus, 1648 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Louvre, Paris, France / Giraudon / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Supper at Emmaus, 1648 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Louvre, Paris, France / Giraudon / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.