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This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Alphonse Mucha (1860 – 1939) was a Czechoslovakian Art Nouveau artist who pioneered a sensuous, ornate style replete in stained glass colors, elaborately curving lines and ethereal women. Realizing that living people created the art he admired in churches, Mucha became inspired to paint. Moving to Paris, he was initially the archetypical starving artist, until Sarah Bernhardt asked him to create a poster for the play, “Gismonda.” The life-size poster, which was the antithesis of artistic trends of the day, was a sensation. Bernhardt signed him to a six-year contract, and he became a household name. Mucha’s style experienced an enthusiastic revival in the 1960s, particularly in psychedelic posters.
Read MoreThis giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Alphonse Mucha (1860 – 1939) was a Czechoslovakian Art Nouveau artist who pioneered a sensuous, ornate style replete in stained glass colors, elaborately curving lines and ethereal women. Realizing that living people created the art he admired in churches, Mucha became inspired to paint. Moving to Paris, he was initially the archetypical starving artist, until Sarah Bernhardt asked him to create a poster for the play, “Gismonda.” The life-size poster, which was the antithesis of artistic trends of the day, was a sensation. Bernhardt signed him to a six-year contract, and he became a household name. Mucha’s style experienced an enthusiastic revival in the 1960s, particularly in psychedelic posters.
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