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Published January 15, 1966Henry Clarke snaps a model in an unusual, sculptural space in this photograph, which appeared in the January 15, 1966, Vogue. She wears a simple silver maillot by Sylvia de Gay for Robert Sloan. The futuristic quality of the swimsuit is undermined by the natural space where she resides, capturing a moment in fashion when progressive styles needed to be tempered with historical context.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
Published January 15, 1966Henry Clarke snaps a model in an unusual, sculptural space in this photograph, which appeared in the January 15, 1966, Vogue. She wears a simple silver maillot by Sylvia de Gay for Robert Sloan. The futuristic quality of the swimsuit is undermined by the natural space where she resides, capturing a moment in fashion when progressive styles needed to be tempered with historical context.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
Henry Clarke (1918-1961) took fashion photography to new heights of fantasy while taking the fashion world by storm. Capturing Striking the perfect balance between heady excess and refined elegance, was an image that permeated American, British and French Vogue for over three decades and secured its place as the fashionista’s bible. His work was held in such high regard that his American editor frequently sent him on assignment to exotic locations to shoot a 24-page spread for a single issue, an otherwise highly unusual occurrence.
Read MorePublished January 15, 1966Henry Clarke snaps a model in an unusual, sculptural space in this photograph, which appeared in the January 15, 1966, Vogue. She wears a simple silver maillot by Sylvia de Gay for Robert Sloan. The futuristic quality of the swimsuit is undermined by the natural space where she resides, capturing a moment in fashion when progressive styles needed to be tempered with historical context.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
Henry Clarke (1918-1961) took fashion photography to new heights of fantasy while taking the fashion world by storm. Capturing Striking the perfect balance between heady excess and refined elegance, was an image that permeated American, British and French Vogue for over three decades and secured its place as the fashionista’s bible. His work was held in such high regard that his American editor frequently sent him on assignment to exotic locations to shoot a 24-page spread for a single issue, an otherwise highly unusual occurrence.
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