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The Grand Canal, Venice, engraved by William Miller (1796-1882) 1838-52 (engraving), Turner, Joseph Mallord William (1775-1851) (after) / Yale Center for British Art, Paul Mellon Collection, USA / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Grand Canal, Venice, engraved by William Miller (1796-1882) 1838-52 (engraving), Turner, Joseph Mallord William (1775-1851) (after) / Yale Center for British Art, Paul Mellon Collection, USA / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Grand Canal, Venice, engraved by William Miller (1796-1882) 1838-52 (engraving), Turner, Joseph Mallord William (1775-1851) (after) / Yale Center for British Art, Paul Mellon Collection, USA / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
