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Poster advertising Phenix beer, c.1899 (colour litho), Hohenstein, Adolfo (1854-1928) / Private Collection / DaTo Images / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Poster advertising Phenix beer, c.1899 (colour litho), Hohenstein, Adolfo (1854-1928) / Private Collection / DaTo Images / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The drama and spectacle of 19th Century Italian opera was perfectly conveyed by the flamboyant posters of Adolpho Hohenstein (1854 – 1928). Hohenstein, a German Art Nouveau master, was so synonymous with the Italian spirit that he was called “Father of the Italian Poster.” Hired by Ricordi, a music publisher which also printed posters advertising its music, Hohenstein oversaw their staff, designed postcards, and created his signature posters. Hohenstein’s 10-foot-tall posters transformed the Italian poster into an art form and perfectly complemented the drama of the theatrical Italian opera.
Read MorePoster advertising Phenix beer, c.1899 (colour litho), Hohenstein, Adolfo (1854-1928) / Private Collection / DaTo Images / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The drama and spectacle of 19th Century Italian opera was perfectly conveyed by the flamboyant posters of Adolpho Hohenstein (1854 – 1928). Hohenstein, a German Art Nouveau master, was so synonymous with the Italian spirit that he was called “Father of the Italian Poster.” Hired by Ricordi, a music publisher which also printed posters advertising its music, Hohenstein oversaw their staff, designed postcards, and created his signature posters. Hohenstein’s 10-foot-tall posters transformed the Italian poster into an art form and perfectly complemented the drama of the theatrical Italian opera.
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