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Sarus Crane, painted for Lady Impey at Calcutta, c.1780 (gouache on paper), Shaikh Zain ud-Din, (18th century) / Ashmolean Museum, University of Oxford, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Sarus Crane, painted for Lady Impey at Calcutta, c.1780 (gouache on paper), Shaikh Zain ud-Din, (18th century) / Ashmolean Museum, University of Oxford, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Sarus Crane, painted for Lady Impey at Calcutta, c.1780 (gouache on paper), Shaikh Zain ud-Din, (18th century) / Ashmolean Museum, University of Oxford, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
