Lithograph double page lithograph from Derriere le Miroir, no. 193/194, 1971, page 2,3, with fold line. Published by Maeght, Paris. Published in 1971. This print is a rare and collectable work of art. As such, it may show minor signs of handling, aging, or printing defects. It is guaranteed to be in very good condition or better.
In joyful rebellion against conventional painting methods, Spanish Surrealist Joan Miro’s art exudes an uninhibited childlike freedom of expression. Drawing inspiration from 1920’s Paris’ counterculture, his art is filled with wonderful absurdity. Miro’s use of primary and secondary colors as well as organic shapes conveys a lively, energetic zest for life – a playground of the artist’s subconscious mind.
Read MoreLithograph double page lithograph from Derriere le Miroir, no. 193/194, 1971, page 2,3, with fold line. Published by Maeght, Paris. Published in 1971. This print is a rare and collectable work of art. As such, it may show minor signs of handling, aging, or printing defects. It is guaranteed to be in very good condition or better.
In joyful rebellion against conventional painting methods, Spanish Surrealist Joan Miro’s art exudes an uninhibited childlike freedom of expression. Drawing inspiration from 1920’s Paris’ counterculture, his art is filled with wonderful absurdity. Miro’s use of primary and secondary colors as well as organic shapes conveys a lively, energetic zest for life – a playground of the artist’s subconscious mind.
Read MoreLithograph double page lithograph from Derriere le Miroir, no. 193/194, 1971, page 2,3, with fold line. Published by Maeght, Paris. Published in 1971. This print is a rare and collectable work of art. As such, it may show minor signs of handling, aging, or printing defects. It is guaranteed to be in very good condition or better.
In joyful rebellion against conventional painting methods, Spanish Surrealist Joan Miro’s art exudes an uninhibited childlike freedom of expression. Drawing inspiration from 1920’s Paris’ counterculture, his art is filled with wonderful absurdity. Miro’s use of primary and secondary colors as well as organic shapes conveys a lively, energetic zest for life – a playground of the artist’s subconscious mind.
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