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Deposition from the Cross or Altarpiece of Holy Trinity, circa 1432, by Giovanni da Fiesole known as (1400-ca 1455), tempera on wood, 176x185 cm, Detail / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Deposition from the Cross or Altarpiece of Holy Trinity, circa 1432, by Giovanni da Fiesole known as (1400-ca 1455), tempera on wood, 176x185 cm, Detail / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Deposition from the Cross or Altarpiece of Holy Trinity, circa 1432, by Giovanni da Fiesole known as (1400-ca 1455), tempera on wood, 176x185 cm, Detail / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
