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Resurrection of Christ, panel from Altarpiece of Holy Sepulchre, 1381-1382, by Jaime Serra (active 1358-1395), tempera on wood, 138x115 cm / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Resurrection of Christ, panel from Altarpiece of Holy Sepulchre, 1381-1382, by Jaime Serra (active 1358-1395), tempera on wood, 138x115 cm / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Resurrection of Christ, panel from Altarpiece of Holy Sepulchre, 1381-1382, by Jaime Serra (active 1358-1395), tempera on wood, 138x115 cm / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
