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The Apotheosis of St. Jerome with St. Peter of Alcantara and an unidentified Franciscan, painted before 1733, Pittoni, Giovanni Battista (1687-1767) / © Scottish National Gallery, Edinburgh / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Apotheosis of St. Jerome with St. Peter of Alcantara and an unidentified Franciscan, painted before 1733, Pittoni, Giovanni Battista (1687-1767) / © Scottish National Gallery, Edinburgh / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Apotheosis of St. Jerome with St. Peter of Alcantara and an unidentified Franciscan, painted before 1733, Pittoni, Giovanni Battista (1687-1767) / © Scottish National Gallery, Edinburgh / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
