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Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance., Hokusai, Katsushika (1760-1849) / Private Collection / Photo © Liszt Collection / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance., Hokusai, Katsushika (1760-1849) / Private Collection / Photo © Liszt Collection / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Katsushika Hokusai (1760 – 1849) dominated Japanese Ukiyo-e woodblock printing, meaning “pictures of the floating world,” or everyday life. Hokusai, who changed his name each time he changed artistic styles, is best known for his woodblock print series “Thirty-Six Views of Mount Fuji,” which includes the iconic “The Great Wave Off Kanagawa.” He was extraordinarily prolific between 1796 and 1820, producing an estimated 30,000 book illustrations and color prints inspired by Japanese traditions, legends and daily life. Hokusai created his most important works after age 60, in which Mount Fuji was often a spiritually significant element. His art enormously impacted Impressionists, including Claude Monet, Edgar Degas and Henri Toulouse-Lautrec.
Read MoreKatada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance., Hokusai, Katsushika (1760-1849) / Private Collection / Photo © Liszt Collection / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Katsushika Hokusai (1760 – 1849) dominated Japanese Ukiyo-e woodblock printing, meaning “pictures of the floating world,” or everyday life. Hokusai, who changed his name each time he changed artistic styles, is best known for his woodblock print series “Thirty-Six Views of Mount Fuji,” which includes the iconic “The Great Wave Off Kanagawa.” He was extraordinarily prolific between 1796 and 1820, producing an estimated 30,000 book illustrations and color prints inspired by Japanese traditions, legends and daily life. Hokusai created his most important works after age 60, in which Mount Fuji was often a spiritually significant element. His art enormously impacted Impressionists, including Claude Monet, Edgar Degas and Henri Toulouse-Lautrec.
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