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A Harbour in Italy (St. Lucia) (oil on canvas), Antoniani, Pietro (c.1740-1805) / Laing Art Gallery, Newcastle-upon-Tyne, UK / © Tyne & Wear Archives & Museums / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
A Harbour in Italy (St. Lucia) (oil on canvas), Antoniani, Pietro (c.1740-1805) / Laing Art Gallery, Newcastle-upon-Tyne, UK / © Tyne & Wear Archives & Museums / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
A Harbour in Italy (St. Lucia) (oil on canvas), Antoniani, Pietro (c.1740-1805) / Laing Art Gallery, Newcastle-upon-Tyne, UK / © Tyne & Wear Archives & Museums / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.