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This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Norman Rockwell (1894 – 1978), one of America’s most beloved artists, left a timeless legacy of nostalgic, endearing, whimsical paintings that appealingly and insightfully depict simple, and often idyllic, scenes from daily life. After illustrating a series of children’s books at age 16, Rockwell was hired to be the art director of “Boys’ Life,” the official publication of the Boy Scouts of America. Six years later, he sold his first cover to the most prestigious magazine of the era, the “Saturday Evening Post.” Over the next 47 years, he created 321 covers for the “Post,” which became synonymous with his name. He later worked for “Look” magazine, addressing more serious issues of civil rights, poverty and space exploration.
Read MoreThis giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Norman Rockwell (1894 – 1978), one of America’s most beloved artists, left a timeless legacy of nostalgic, endearing, whimsical paintings that appealingly and insightfully depict simple, and often idyllic, scenes from daily life. After illustrating a series of children’s books at age 16, Rockwell was hired to be the art director of “Boys’ Life,” the official publication of the Boy Scouts of America. Six years later, he sold his first cover to the most prestigious magazine of the era, the “Saturday Evening Post.” Over the next 47 years, he created 321 covers for the “Post,” which became synonymous with his name. He later worked for “Look” magazine, addressing more serious issues of civil rights, poverty and space exploration.
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