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The Last Lap, Penny Farthing Race woven silk Stevengraph, by Thomas Stevens of Coventry, 1872 / © Herbert Art Gallery & Museum, Coventry, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Last Lap, Penny Farthing Race woven silk Stevengraph, by Thomas Stevens of Coventry, 1872 / © Herbert Art Gallery & Museum, Coventry, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Last Lap, Penny Farthing Race woven silk Stevengraph, by Thomas Stevens of Coventry, 1872 / © Herbert Art Gallery & Museum, Coventry, UK / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.