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Chapel of Guardian with 1629 frescoes, by Antonio d'Enrico known as Tanzio da Varallo (1575-1635), Basilica of San Gaudenzio, Novara, Italy, 17th century / De Agostini Picture Library / A. de Gregorio / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Chapel of Guardian with 1629 frescoes, by Antonio d'Enrico known as Tanzio da Varallo (1575-1635), Basilica of San Gaudenzio, Novara, Italy, 17th century / De Agostini Picture Library / A. de Gregorio / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Chapel of Guardian with 1629 frescoes, by Antonio d'Enrico known as Tanzio da Varallo (1575-1635), Basilica of San Gaudenzio, Novara, Italy, 17th century / De Agostini Picture Library / A. de Gregorio / Bridgeman Images This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
