Jim Jonson, American (1928 - )<br/> Jim Jonson is concerned with the kinetics of a sports event. He responds personally to the energy and the power generated by finely conditioned athletes, having been one himself. But above all he attempts to communicate the phenomenon of motion. He does not try to free these moments as a high-speed photograph would, but by skillfully employing the multiple image, Jonson dramatically enhances the narrative power of his paintings. You not only see where something is, but also where it was and the direction in which it's going.<br/><br/>In addition to the phenomenon of motion, Jonson is also concerned with the specific instant: the point in the action which most dramatically highlights the athlete extending himself almost beyond his limits. It could be the face of a long distance runner straining to reach the finish line, the arched back of a pole vaulter as he barely clears the bar, or the stretched legs and clawing hands of the high hurdler.