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The Naiad, 1893 (oil on canvas), Waterhouse, John William (1849-1917) / Roy Miles Fine Paintings / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
The Naiad, 1893 (oil on canvas), Waterhouse, John William (1849-1917) / Roy Miles Fine Paintings / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Neo-Classicist John William Waterhouse (1849 – 1917) created lavish works imbued with lifelike details and an otherworldly, haunting sensuality. Born in Italy and raised in Britain, Waterhouse merged Victorian narrative with romantic Pre-Raphaelite fantasy in his work, drawing inspiration from Greek myths, Shakespeare, Arthurian legends, Homer, Tennyson and Keats. A member of the Royal Academy, Waterhouse often painted dramatic scenes emphasizing powerful or tragic women. He created more than 200 paintings, and was one of the few artists to attain fame and fortune in his lifetime.
Read MoreThe Naiad, 1893 (oil on canvas), Waterhouse, John William (1849-1917) / Roy Miles Fine Paintings / The Bridgeman Art Library This giclée print offers beautiful color accuracy on a high-quality paper (235 gsm) that is a great option for framing with its smooth, acid free surface. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface creating natural color transitions.
Neo-Classicist John William Waterhouse (1849 – 1917) created lavish works imbued with lifelike details and an otherworldly, haunting sensuality. Born in Italy and raised in Britain, Waterhouse merged Victorian narrative with romantic Pre-Raphaelite fantasy in his work, drawing inspiration from Greek myths, Shakespeare, Arthurian legends, Homer, Tennyson and Keats. A member of the Royal Academy, Waterhouse often painted dramatic scenes emphasizing powerful or tragic women. He created more than 200 paintings, and was one of the few artists to attain fame and fortune in his lifetime.
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