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Published February 1, 1964Photographer Louis Faurer shot this arty composition of three models, cropped so only their legs and feet are visible, for the February 1964 Mademoiselle. The camera focuses on their polite yet colorful pumps, each featuring a different perforated pattern.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
Published February 1, 1964Photographer Louis Faurer shot this arty composition of three models, cropped so only their legs and feet are visible, for the February 1964 Mademoiselle. The camera focuses on their polite yet colorful pumps, each featuring a different perforated pattern.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
Published February 1, 1964Photographer Louis Faurer shot this arty composition of three models, cropped so only their legs and feet are visible, for the February 1964 Mademoiselle. The camera focuses on their polite yet colorful pumps, each featuring a different perforated pattern.Photo licensed from the Condé Nast Collection, home of The New Yorker, Vogue, Vanity Fair and other popular brands. Find this and other artwork at the Condé Nast Collection. The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
