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Hommage a Bram Van Velde-Jean Messagier-Limited Edition

Hommage a Bram Van VeldeBy Jean Messagier

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About This Piece
The Art
LithographbrEdition of brSigned and numbered by the artistbrbrPublished in Certificate of authenticity is included This print is a rare and collectable work of art As such it may show minor signs of handling aging or original printing defects It is guaranteed to be in very good condition or better brbrThis product is not eligible for discounts or coupon codes

Providing the art enthusiast with an affordable alternative to original art, this collectible item is limited to a one-time printing.
Product ID: 13045136A
The Artist
Jean Messagier, French (1920 - 1999)<br/><br/>Born in 1920 in Paris, the artist considered by some the leader of the “abstracted paysagism”, turns over to his roots while settling in Franche-Comté since 1962. He then does not cease creating for, with and within this area which he likes so much jusqu? with its death in 1999.<br/><br/>Jean Messagier shares his childhood, in the Twenties and Thirties, between the trees of the Monceau park in Paris and the meadows of his grandfather towards Mathay. During first half of its life, it will live between Paris and the Franche-Comté. It follows studies to the college of Large-Chênois to Montbeliard then connects with Arts déco in Paris. Its first tables are figurative: portraits, landscapes, the edge of the Seine. Then quickly, it launches out in the abstract, it finds its style. “It was a creator not a maker as he said it, underlines Denys Schwechlen, vice-president of the club cyclist of Etupes and faithful friend. For him, to recopy reality, it was not to be a painter”. At the end of the Forties, for the first time, it carries out landscapes by forgetting conventions to keep only the light. Stop the prospects, the proportions, the models… It keeps only the light. On series, one recognizes vaguely hills, a valley, a forest… This light which it fascine so much, it just discovers it after the Second world war by furrowing Italy and Kabylie. One will speak about him, many years after, like the leader of the “abstract paysagism”. It plays on the colors and slack of the coats of paint by full rollings up.
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