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Location: Cathedral of St. John the Divine, NYCCamera: Ansco Flash ClipperFilm: Ansco Plenachrome, Expired 1950 This stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclee print from dust, moisture and fading. Watermark will not appear on finished product.
Location: Cathedral of St. John the Divine, NYCCamera: Ansco Flash ClipperFilm: Ansco Plenachrome, Expired 1950 This stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclee print from dust, moisture and fading. Watermark will not appear on finished product.
Photographer Evan Morris Cohen is frequently seen slinging his collection of vintage cameras around Manhattan. He loves to load them with vintage film, too, capturing shots that feel at once contemporary and antique. He’s drawn to works full of emotion and gravitas, like architectural shots by Stieglitz, Steichen, Abbott and Bourke-White.
Read MoreLocation: Cathedral of St. John the Divine, NYCCamera: Ansco Flash ClipperFilm: Ansco Plenachrome, Expired 1950 This stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclee print from dust, moisture and fading. Watermark will not appear on finished product.
Photographer Evan Morris Cohen is frequently seen slinging his collection of vintage cameras around Manhattan. He loves to load them with vintage film, too, capturing shots that feel at once contemporary and antique. He’s drawn to works full of emotion and gravitas, like architectural shots by Stieglitz, Steichen, Abbott and Bourke-White.
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